{"id":661,"date":"2012-02-07T14:24:58","date_gmt":"2012-02-07T14:24:58","guid":{"rendered":"http:\/\/ianreynolds.jenningscreative.co.uk\/?page_id=661"},"modified":"2024-04-11T08:38:01","modified_gmt":"2024-04-11T08:38:01","slug":"explore","status":"publish","type":"page","link":"https:\/\/www.lisasheppy.co.uk\/?page_id=661","title":{"rendered":"Curriculum Vitae"},"content":{"rendered":"\t\t
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Academic Qualifications\u00a0<\/h4>

PhD: An industrial craft reinstated: a printmaker’s perspective on tissue transferware, Centre for Print Research, UWE, Bristol<\/a><\/b><\/p>

MA: Multidisciplinary Printmaking, distinction, UWE, Bristol<\/b><\/p>

BA (Hons) Fine Art, first class, BCU, Birmingham\u00a0<\/b><\/p>

Post Graduate Diploma in Education, University of Worcester<\/b><\/p>

Research Interests<\/span><\/p>

Ceramics and printmaking<\/span><\/p>

Craft<\/span><\/p>

Material thinking<\/span><\/p>

The reimagining of traditional craft processes with new technologies<\/span><\/p>

Museum archives and the evocative object: absence and presence<\/span><\/p>

\u00a0<\/h5>
Academic and artist publications<\/strong><\/h5>

Cherniwchan, C. (2023) Autographic Aesthetic. Printmaking Today<\/em>. 32, p9.<\/p>

Sheppy, L. (2023). An industrial craft reinstated: A printmaker’s perspective on tissue transferware. Impact Printmaking Journal<\/em>, 1.\u00a0https:\/\/impact-journal-cfpr.uwe.ac.uk\/index.php\/impact\/article\/view\/123<\/a><\/p>

Sheppy, L. (2023). An industrial craft reinstated: a printmaker\u2019s perspective on tissue transferware. PhD, University of the West of England. Available from: https:\/\/uwe-repository.worktribe.com\/output\/9238193<\/a><\/strong><\/p>

Sheppy, L.C. (2023) A Future for Tissue Transferware.\u00a0The California Printmaker<\/em>., pp. 41-43.<\/p>

Power, V. (2022) Overlooked and Obsolete.\u00a0Pressing Matters<\/em>. 21, p. 8.<\/p>

Summer of Print and Books Launches for IMPACT 12 (2022) Available from:https:\/\/cfpr.uwe.ac.uk\/summer-of-print-and-books-launches-for-impact-12\/<\/a><\/p>

Impact 12 Full Conference Publication (2022) Available from: file:\/\/\/Users\/lisasheppy\/Downloads\/Impact%2012%20Full%20Conference%20Publication%202022.pdf<\/a><\/p>

Frances, M. (2018) In the Limelight.\u00a0Glass Network: The Cgs Magazine<\/em>. 69.<\/p>

Ruskin Glass Centre (2015) British Glass Biennale 2015<\/em>. Stourbridge: Ruskin Glass Centre.<\/p>

Cass, N., ed. (2012)\u00a0Wildness Between Lines<\/em>. Brighouse: Leeds College of Art.<\/p>

Ruskin Glass Centre (2010) British Glass Biennale 2010<\/em>. Stourbridge: Ruskin Glass Centre.<\/p>

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S<\/strong>elected Solo and Group Exhibitions and Artist talks\u00a0<\/strong><\/h5>

2024\u00a0 \u00a0‘From pattern book to shard: a future for tissue transferware’ The Centre for Print Research’s lunchtime talk, UWE, Bristol. https:\/\/cfpr.uwe.ac.uk\/lisa-sheppy-from-pattern-book-to-shard-a-future-for-tissue-transferware\/<\/a><\/p>

2024\u00a0 \u00a0An artist’s exploration of the technique of tissue transfer printing on ceramics’ The Museum of Royal Worcester winter talk programme.https:\/\/www.youtube.com\/watch?v=WIakv8Qa-sc<\/a><\/span><\/p>

2023\u00a0 \u00a0 Royal Society of Painter Printmakers International Open Printmaking Exhibition, Bankside, London\u00a0<\/span>\u00a0<\/p>

2023\u00a0 \u00a0 Woolwich Contemporary Print Fair, Royal Arsenal, London\u00a0 \u00a0<\/p>

2022\u00a0 \u00a0 Impact 12, UWE, Bristol; exhibitor and Conferance speaker\u00a0<\/span><\/p>

2016 \u00a0 \u00a0Affordable Garden Art Competition, Showborough House, Gloucestershire<\/p>

2015 \u00a0 \u00a0British Glass Biennale, selected artist, Stourbridge, West Midlands<\/p>

2014 \u00a0 \u00a0 ‘Soul to Sole’, Croome Redefined, The National Trust, Croome, Worcestershire.<\/p>

2014 \u00a0 \u00a0Selector at\u00a0Affordable Garden Art Competition, Showborough House, Gloucestershire<\/p>

2014 \u00a0 \u00a0 Charingworth House, Winchcombe Art Trial, The Cotswolds<\/p>

2013 \u00a0 \u00a0‘Ways of Seeing’ ‘Art for Life’, Musgrove Park Hospital, Taunton<\/p>

2013 \u00a0 \u00a0 Winds of Change Gallery, Winchcombe, The Cotwolds.<\/p>

2013 \u00a0 \u00a0The Quartz Festival, Queens College, Taunton, Somerset<\/p>

2013 \u00a0 \u00a0‘Craftsense’ Bilston Craft Gallery, Wolverhampton<\/p>

2013 \u00a0 \u00a0Grow! Pop Up! The Royal Botanic Garden, Edinburgh<\/p>

2013 \u00a0 \u00a0Spike Open Print Exhibition, Spike Island, Bristol<\/p>

2013 \u00a0 \u00a0 Affordable Garden Art Competition and Exhibition, Showborough House, Gloucestershire<\/p>

2013 \u00a0 \u00a0 Black Swan Arts Open Competition, Frome, Somerset<\/p>

2013 \u00a0 \u00a0 “Re-Visioning the\u00a0Bront\u00ebs’ University of Leeds, Speaker<\/p>

2012 \u00a0 \u00a0 ‘Wildness Between Lines’, Leeds College of Art<\/p>

2011 \u00a0 \u00a0 Showborough House Garden Exhibition, Showborough, Gloucestershire<\/p>

2011 \u00a0 \u00a0 \u2018Glass Wear 2011,\u2019 London Glassblowing Gallery, Bermondsey, London<\/p>

2011 \u00a0 \u00a0 \u2018The Affordable Art Fair, Bristol, with Spike Print Studio<\/p>

2011 \u00a0 \u00a0 \u2018Heavenly Sent\u2019 London Glassblowing Gallery, Bermondsey, London<\/p>

2010 \u00a0 \u00a0 \u2018Essence\u2019 Selected artist London Glassblowing Gallery, Bermondsey, London<\/p>

2010 \u00a0 \u00a0 British Glass Biennale, selected artist, Stourbridge; Prize winner<\/p>

2010 \u00a0 \u00a0 Selected work for contemporary glass display, Stoke-on-Trent Museum and Art Gallery<\/p>

2010 \u00a0 \u00a0 Spike Open Exhibition, Spike Print Studio, Bristol<\/p>

2009 \u00a0 \u00a0 \u2018Impact 6\u2019 UWE, Bristol<\/p>

2009\u00a0 \u00a0 Royal West of England Academy, Bristol, 7th Open Print Exhibition; Prize winner<\/p>

2009 \u00a0 \u00a0\u2018Rising Stars\u2019, Studio Fusion Gallery, Oxo Building, London<\/p>

2009 \u00a0 \u00a0MA Degree Show, Multi-Disciplinary Printmaking, UWE, Bristol<\/p>

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Lecturing\u00a0<\/strong><\/h5>

2001 – 2017: Foundation Diploma in art and Design, International Foundation and Pre-Masters in art and design. Course leadership roles<\/strong><\/p>

Birmingham City University International<\/strong><\/p>

Worcester School of Art and Design<\/strong><\/p>

Malvern College<\/strong><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0 Academic Qualifications\u00a0 PhD: An industrial craft reinstated: a printmaker’s perspective on tissue transferware, Centre for Print Research, UWE,…<\/p>\n","protected":false},"author":4,"featured_media":3138,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-661","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.lisasheppy.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/661","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lisasheppy.co.uk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lisasheppy.co.uk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lisasheppy.co.uk\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lisasheppy.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=661"}],"version-history":[{"count":211,"href":"https:\/\/www.lisasheppy.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/661\/revisions"}],"predecessor-version":[{"id":3746,"href":"https:\/\/www.lisasheppy.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/661\/revisions\/3746"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lisasheppy.co.uk\/index.php?rest_route=\/wp\/v2\/media\/3138"}],"wp:attachment":[{"href":"https:\/\/www.lisasheppy.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=661"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}