I’ve just found this short film of The 2010 British Glass Biennale, which has a very brief shot of ‘Charlotte’s Dress’.
Tag Archive for: Charlottes dress
‘Re-Visioning the Brontës’ conference was an inspiring day with a rich diverse range of speakers who have sited the Brontës and their legacy as an influence on their work. The day began with a deeply moving, evocative music and film piece, ‘Air on Brontë Moor’ by David Wilson and Simon Warner. It was great to meet up with Teresa Whitfield whose work is exhibited with ‘Charlotte’s Dress’ in ‘Wildness Between Lines’ at Leeds College of Art, and also Jenna Holmes, the contemporary art officer at the Parsonage, who initially made my project possible. After delivering my paper I felt so thrilled with the positive comments and dialogue it generated between the other speakers and attendees.
Professor Ann Sumner, the new Executive Director of the Brontë Parsonage Museum and the Brontë Society, made an illuminating closing speech summarising all the speakers papers and said of my piece:
“The contemporary artist Lisa Sheppy gave an account of what had inspired her piece ‘Charlotte’s Dress’, currently on display in the ‘Wilderness Between the Lines’ exhibition at the Leeds College of Art. It was an early childhood visit to the Parsonage and memories of her mother’s professional dressmaking days that had given her the initial idea for the piece. To hear directly from an artist about her creative process was inspiring, and seeing her sketches from her study visit to Haworth and learn about the makers who had added to that vision and enabled her to produce this striking work was illuminating, but also caused one to reflect on the strong influence of her mother on the piece, while Charlotte Bronte had lost her own mother young.”
The summary of all the papers is available to view on the Brontë Parsonage Blog:
Thank you to Nick Cass, Liz Stainforth and Rachel Cunningham Clark for selecting my paper to be included in the conference and their excellent organization of a such an enriching day.
I will be delivering a paper based on ‘Charlotte’s Dress’ at the conference next week. Looking forward to hearing the other speakers’ papers and being part of this fascinating Brontë project.
Re-visioning the Brontës Conference Programme
9:30-10:00 – Registration, coffee (Stanley & Audrey Burton Gallery, University of Leeds)
9:50-10:00 – ‘Air on Brontë Moor’ (Wilson & Warner)
10:00-10:10 – Welcome and Introduction, Nick Cass, Conference Organiser, School of Fine Art, History of Art and Cultural Studies
10:10-10:25 – ‘Keynote’ Welcome, Jane Sellars, Curator of Art, Mercer Art Gallery, Harrogate
10:25-10:50 – ‘Southern Flight: Brontëan Migrations in Kate Chopin’s At Fault’, Dr Carl Plasa, Cardiff University
10:50-11:15 – ‘Righting the Life of the Mind: The Significance of Psychological Discourse in the Brontës’ Interwar Afterlives’, Amber Pouliot, University of Leeds
11:15-11:35 – ‘The Brontës, Materiality, and Resonance: Three Ways of Looking’, Aislinn Hunter, University of Edinburgh
11:35-11.50 – Introduction to the Brontë manuscripts in Special Collections (University of Leeds), Sarah Prescott, Literary Archivist
11:50-12:10 – Discussion
12:10-12:15 – ‘Air on Brontë Moor’ (Wilson & Warner)
12:15-13:15 – Lunch break
13:15-13:20 – ‘Air on Brontë Moor’ (Wilson & Warner)
13:20-13:45 – ‘”…like a new picture introduced to the gallery of memory”: Re-Visioning Jane Eyre through Paula Rego’, Dr Sarah Wootton, Durham University
13:45-14:10 – ‘Charlotte’s Dress’, Lisa Sheppy, Contemporary Artist
14:10-14:45 – Dr Richard Brown (University of Leeds) in conversation with Professor Blake Morrison (Goldsmiths, University of London) on Morrison’s play We Are Three Sisters
14:45-15:05 – Coffee
15:05-15:30 – ‘Listening Out: the Soundtracks and Film Scores of Wuthering Heights’, Dr Jenny Bavidge, University of Cambridge
15:30-15:55 – ‘Wuthering Heights in Japan: the film Arashi ga Oka (1988, dir. Yoshishige Yoshida)’, María Seijo-Richart, University of A Coruña
15:55-16:40 – Roundtable discussion chaired by Adam Strickson (Teaching Fellow in Creative Writing, University of Leeds), Sarah Fermi (Writer and Trustee, Brontë Society), Tiffany Murray (Writer and Senior Lecturer, University of Glamorgan), Simon Warner (Artist and Photographer) and Jenna Holmes (Arts Officer, Brontë Parsonage Museum)
16:40-16:50 – Discussion
16:50-17:00 – Closing Remarks, Ann Sumner (Director, Brontë Society)
I travelled over the moors, through Haworth, to attend the private view of ‘Wildness Between Lines’ at Leeds College of Art in December. It was great to meet Nick Cass who selected and curated the exhibition and meet some of the artists in the show. I met Teresa Whitfield whose drawing of Charlotte Brontë’s black lace shawl I greatly admired. I thought the diverse selection of work was put together and hung beautifully and was really pleased that Charlotte’s Dress could be seen again in a new context for a fresh audience.
Charlotte’s Dress at Leeds College of Art : Wildness Between Lines : December 14th 2012- February 2nd 2013Categories: News - Tags: Charlottes dress, http://blog.nickcass.com/, http://www.leeds-artexhibitions.co.uk/?p=999, Leeds University, Nick Cass, The Bronte legacy, The Bronte Parsonage
Charlotte’s Dress is on exhibition at the Leeds College of Art in December. The exhibition has been organised by Nick Cass, who is an artist and lecturer at the University. The work in the exhibition will feature contemporary artists who have been influenced by the Bronte legacy many of whom have exhibited at The Bronte Parsonage Museum. I am delighted and excited to be part of this fascinating project and looking forward to seeing the work of all the artists in the exhibition
Wildness Between Lines
Date: December 14th, 2012 — February 2nd, 2013
‘Wuthering Heights, Jane Eyre, The Tenant of Wildfell Hall; these are just some of the works produced by the Brontës which have an enduring and universal appeal. The inspirational legacy of the Brontë family can be seen in a wide variety of contemporary creativity. This exhibition is a unique opportunity to see, in one place, the work of a number of emerging and established artists, all of whom cite the Brontës as a source of continuing inspiration for their own creative practice.’